The ability to synchronise is a hallmark of professional music-making. Such synchronisation, without a conductor, is achievable by timing error correction, either through phase correction (Wing et al., 2014) or period correction (by adjusting the …
When musicians play in ensemble, they continuously adapt to each other to ensure that the group keeps time together. The musicians’ timing correction can be captured by a linear phase correction model, where each player has a correction gain to other …
The Linear Phase Correction Model of musical ensemble (LPC) (Wing et al., 2014) suggests each player in a string quartet corrects the timing of the next note as a proportion of the asynchronies with the other three players on the previous note. In …
Interpersonal timing is important for creating a cohesive music performance in small ensembles without a conductor. Wing et al. (2014) proposed that phase correction underlies ensemble timing in classical string quartets. Correction gains for the …