The ability to synchronise is a hallmark of professional music-making. Such synchronisation, without a conductor, is achievable by timing error correction, either through phase correction (Wing et al., 2014) or period correction (by adjusting the …
When musicians play in ensemble, they continuously adapt to each other to ensure that the group keeps time together. The musicians’ timing correction can be captured by a linear phase correction model, where each player has a correction gain to other …
The control of relative timing is evident in many social activities including synchronisation in music performance. The Linear Phase Correction Model of musical ensemble (Wing et al., 2014) suggests each player in a string quartet corrects the timing …
The Linear Phase Correction Model of musical ensemble (LPC) (Wing et al., 2014) suggests each player in a string quartet corrects the timing of the next note as a proportion of the asynchronies with the other three players on the previous note. In …
Interpersonal timing is important for creating a cohesive music performance in small ensembles without a conductor. Wing et al. (2014) proposed that phase correction underlies ensemble timing in classical string quartets. Correction gains for the …