model

The control of relative timing is evident in many social activities including synchronisation in music performance. The Linear Phase Correction Model of musical ensemble (Wing et al., 2014) suggests each player in a string quartet corrects the timing …

The Linear Phase Correction Model of musical ensemble (LPC) (Wing et al., 2014) suggests each player in a string quartet corrects the timing of the next note as a proportion of the asynchronies with the other three players on the previous note. In …