The control of relative timing is evident in many social activities including synchronisation in music performance. The Linear Phase Correction Model of musical ensemble (Wing et al., 2014) suggests each player in a string quartet corrects the timing …
The Linear Phase Correction Model of musical ensemble (LPC) (Wing et al., 2014) suggests each player in a string quartet corrects the timing of the next note as a proportion of the asynchronies with the other three players on the previous note. In …
In virtual reality, users interact with the virtual environment and are exposed to multiple sensory signals (e.g., visual, audio, tactile). Measuring to which degree signals that come from the same event are perceptually integrated is fundamental in …
Interpersonal timing is important for creating a cohesive music performance in small ensembles without a conductor. Wing et al. (2014) proposed that phase correction underlies ensemble timing in classical string quartets. Correction gains for the …