Why? To perform a detailed analysis of note onset types in a range of different musical conditions.
What?
Ensemble | Composer | Excerpt | Bars |
---|---|---|---|
Quartet | Haydn | Op. 74 No. 1 Finale | 1-48 |
Quartet | Beethoven | Op. 59 No. 3 Finale | 210-271 |
Trio | Dohnanyi | Op. 10, Marcia | 1-20 |
Duet | Mozart | K424 Mvt. 3 Var 2 | 32-48 |
Solo | Haydn | Op. 74 No. 1 Finale | 1-285 |
No, each piece was recorded 12 times (i.e., 12 separate takes) each for 3 different musical conditions. The conditions represent different playing styles, and were chosen to span a wide range of realistic performance types. The following are definitions of the three recorded conditions:
For additional information please refer to the paper.
If you use the Virtuoso Strings in your research, feel free to cite this paper:
Tomczak M., M.S. Li, M. Di Luca, Virtuoso Strings: A Dataset of String Ensemble
Recordings and Onset Annotations for Timing Analysis, Extended Abstracts
for the Late-Breaking Demo Sessions of the 24th International Society for
Music Information Retrieval (ISMIR) Conference, 2023.